Out of Austin, Texas came a graphic EQ that quietly became the studio standard while flashier rivals grabbed the magazine covers. The White Instruments 4400 skips the fragile faders and...
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Out of Austin, Texas came a graphic EQ that quietly became the studio standard while flashier rivals grabbed the magazine covers. The White Instruments 4400 skips the fragile faders and hands you 28 rotary knobs, one per third-octave band, so your settings survive transport, gravity and clumsy elbows. Inside, every band is a hand-tuned pair of inductors and capacitors: passive, low noise and almost impossible to kill. The payoff is a narrow, surgical Q with very little spill between neighbouring bands, and a tone engineers reach for when they want warm and unmistakably analogue. This unit is wired for South African mains and ready to rack. Put it on vocals, bass or a cluttered mix and it behaves less like a tone control and more like a precision instrument.
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