One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
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One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every tone from up to 64 individual harmonics per source, then blends in PCM waves, runs it all through a notorious self-oscillating 24dB filter, and finishes with on-board effects, a 40-track sequencer and a disk drive. The result is a sound palette nothing else makes: glassy, metallic, evolving and gorgeously digital. Hard to find, and quietly appreciating as additive synthesis gets rediscovered.
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THE WORD: Synth guides single the K5000 out as one of the very few commercial synthesizers ever built on additive synthesis, prized by sound designers for timbres impossible on sample machines and for its notorious self-oscillating 24dB filter, with prices climbing as the format gets rediscovered. Read more in the K5000 guide.
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