One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
The MU-E041 is Sony's vintage parametric equalizer, giving you sweepable frequency and bandwidth control rather than fixed graphic bands. That means precise tone shaping for a hi-fi system or a...
Roland built the Integra-7 as the ultimate SuperNATURAL sound source: a rack-mount brain stacked with thousands of studio-grade acoustic, band and synth tones, drawn from Roland's flagship workstation lineage. Sixteen...
The OSCar, built by the Oxford Synthesiser Company, is one of the most distinctive monosynths ever made: two oscillators with additive waveform shaping, a powerful multimode filter, an onboard sequencer...
The Jugg Box DPM-48 is an obscure slice of Italian rhythm history: a digital drum machine with a big blue knob, a wall of buttons and a lo-fi character all...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
The S1100EX is Akai's expansion unit for the legendary S1100 sampler. Linked to the host over MIDI and SCSI, it adds a second full set of voices and outputs, so...
Victor (JVC's home-market brand) made some of the prettiest hi-fi gear of the era, and the SEA-60 is exhibit A: a stereo graphic equaliser with a mesmerising blue spectrum-analyser display...
A step sequencer that feels like an instrument. Eight tracks, 32 steps, 256 patterns, all wrapped in a gorgeous oak-and-aluminium body with a big illuminated button grid you actually want...
Otari built the MX-5050 for radio stations and studios that needed a tape machine to just work, every day, for decades, and that is exactly what it did. Balanced XLR...
