The RZ-1 is Casio's 1986 oddball masterpiece: a 12-bit PCM drum machine with a built-in sampler, and one of the cheapest ways into that crunchy, grainy 80s sampling sound. You get twelve onboard PCM drums plus four pads you can sample your own sounds into, and the moment you push the input hot, everything turns deliciously lo-fi. Producers chasing the texture of an SP-12 or SP-1200 on a budget have quietly leaned on the RZ-1 for decades. Twelve pads, an easy pattern-and-song sequencer, MIDI and individual outs make it a genuinely usable groovebox, not just a curio. Crunchy, characterful and full of attitude.

FEATURES & PROS:

• 12-Bit PCM Drums: Twelve onboard sounds (kick, snare, toms, hats, ride, crash, clap, cowbell, rim) with unmistakable 80s grit.
• Built-In Sampler: Four pads for your own samples, lo-fi and crunchy the harder you push the input.
• Sequencer Onboard: 100 patterns chained into 20 songs, simple and fast to work with.
• Individual Outputs: Separate outs for processing and mixing sounds independently.
• MIDI Equipped: In, out and thru to sync with the rest of your rig.
• Budget Texture: The cult lo-fi sampling sound without SP-1200 money.

AS USED BY

• De La Soul, who built the whole of "3 Feet High and Rising" on it (with an Eventide Harmonizer)
• Prince Paul and RZA, in golden-era hip-hop
• Steve Poindexter, "Work That Mutha" (raw Chicago house)
• The Chemical Brothers and Autechre

THE WORD: Reverb calls it an entry-level sampler that first-generation hip-hop producers turned into top-tier productions, the cult lo-fi sound without SP-1200 money. Read the Reverb feature.

SPECIFICATIONS

• Model: Casio RZ-1
• Released: 1986
• Type: PCM drum machine with sampler
• Sounds: 12 PCM drum voices
• Sampling: 4 pads, around 0.8 seconds total, 12-bit
• Sequencer: 100 patterns, 20 songs
• Polyphony: 16 voices
• Outputs: stereo plus individual outs
• Connectivity: MIDI in/out/thru