The Roland SH-2 is a cult 1979 monosynth and a genuine bass monster: two fat VCOs (with sub-oscillators) feeding that creamy Roland filter, a flexible envelope and LFO, and the...
Roland's first stab at semi-modular synthesis, from 1975, and quietly one of the best-sounding things the company ever built. This is a three-module rig: the 101 keyboard synth at the...
History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...
The Studio Electronics SE-1 is what happens when boutique builders take the Minimoog blueprint and crank it to eleven. A pure analog monosynth with three discrete oscillators, a fat multi-mode...
In 2011, Teenage Engineering looked at the bloated, menu-diving world of digital workstations and built the exact opposite: a slab of aluminium the size of a TV remote that somehow...
The Waldorf Blofeld packs the German company's legendary wavetable synthesis (plus virtual analog and FM) into a tiny, gorgeous desktop box. Rich pads, snarling basses, glassy bells and evolving textures...
Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...
Yamaha's 1977 single-VCO monosynth, and a proper sleeper. One oscillator, a gloriously gloopy multimode filter that switches between low, high and band-pass, an LFO that hits volume, pitch, cutoff or...
Yamaha's clever 1979 take on the preset mono. One section gives you 29 instant presets for grab-and-go sounds, the other is a fully tweakable manual synth with a single VCO,...
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