Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
The 160S is dbx founder David Blackmer's high-end reimagining of his own legendary 160 VCA compressor, hand-built in the boutique Blue Series. A true-stereo (or dual-mono) VCA compressor with that...
The Joemeek SC4 brings the cult British photo-optical compression sound to the stereo bus: smooth, vibey gain reduction that flatters mixes, drums and vocals with character rather than clinical control.The...
Out of Austin, Texas came a graphic EQ that quietly became the studio standard while flashier rivals grabbed the magazine covers. The White Instruments 4400 skips the fragile faders and...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
Before everyone had a thousand soft-samplers in a laptop, you had a rack, a floppy disk, and twelve glorious bits. The Akai S950 is the box that chopped the breaks...
The Endless Analog CLASP system bridges analog tape and the modern DAW: record through a real tape machine with zero monitoring latency, capturing genuine tape compression and warmth while keeping...
When you need to track a whole band at once without remortgaging, the Tascam US-1641 is the quiet hero: sixteen inputs in, four out, eight mic preamps with phantom, all...
The Warm Audio WA76 is a faithful, fully-discrete take on the legendary 1176 FET compressor, the one that has slammed drums, vocals and bass on countless hit records. Lightning-fast attack,...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
The Quad FM4 completes the classic 80s Quad stack: a refined FM tuner with that smooth Quad sound and the matching grey-and-orange styling. Hook it up to a Quad 34...
Two genuine Cornell-Dubilier decade capacitor boxes, all bakelite, brass and beautifully worn labels. Built to dial in precise capacitance on the bench, they are now the kind of characterful curiosity...
Yes, the name is ridiculous. Get past it, because the Little Phatty is the real deal: a 100% analog, two-oscillator monosynth built around the genuine Moog ladder filter, and the...
Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...
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