The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
The MPC60 is where the modern MPC story begins. Designed by Roger Linn, it married 12-bit sampling with the swing and feel that defined boom-bap and built half of hip-hop...
Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
A clever and increasingly collectable bit of 80s Akai kit: the MB76 is a MIDI-programmable patch bay and mixer with 7 inputs and 6 outputs, letting you route any input...
This is the holy grail of Sherman gear. The Quad Modular Filter takes the cult Filterbank, the snarling, screaming, envelope-following distortion filter that producers worship, and stacks four of them...
Yamaha's D1500 is the kind of dependable digital delay that quietly did the work on a thousand 80s records. Clean repeats, a genuinely useful modulation section for chorus and flange,...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
A compact, dependable ESI MIDI interface for wrangling a studio full of synths and modules: multiple in and out ports, USB connection and the kind of no-drama reliability that keeps...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
Lexicon built their name on reverbs that cost more than your car, then put a huge slice of that magic into the MX400: a dual-stereo effects processor with proper Lexicon...
The M5000 was TC's flagship Digital Audio Mainframe, a modular, software-upgradable processing platform that became a studio benchmark for reverb in the 90s and never really left. Engineers still rank...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The TEAC/Tascam M-30 is a proper early-80s all-analog 8-channel console, the kind of warm, characterful little mixer people buy precisely to take the cold edge off digital recordings. It was...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
The Yamaha R1000 is one of the first affordable digital reverbs, and it has a sound all its own: a handful of reverb modes, simple knobs, and an early-digital character...
The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...
When the S1000 landed in 1988, it did to the studio what the S900 had only hinted at: proper 16-bit, 44.1kHz stereo sampling that instantly became the professional benchmark. For...
Ask a roomful of mix engineers about a do-anything stereo compressor and Elysia's Xpressor keeps coming up. This is a discrete Class-A stereo compressor built in Germany to mastering-grade standards,...
A step sequencer that feels like an instrument. Eight tracks, 32 steps, 256 patterns, all wrapped in a gorgeous oak-and-aluminium body with a big illuminated button grid you actually want...
In the early 1980s Oberheim took aim at the Linn LM-1 and built a drum machine that quietly ended up on more classic records than almost anything else of its...
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