Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
In the early 1980s Oberheim took aim at the Linn LM-1 and built a drum machine that quietly ended up on more classic records than almost anything else of its...
The original Electronic Dream Plant WASP was a cult British synth famous for its filthy, buzzing oscillators and a filter that could sting. Behringer's WASP Deluxe is a faithful, fully...
Otari built the MX-5050 for radio stations and studios that needed a tape machine to just work, every day, for decades, and that is exactly what it did. Balanced XLR...
Orban built its name on broadcast and studio processing, and the 672A is a workhorse parametric EQ that does precise, musical tone-shaping the cheap stuff cannot touch. Each unit gives...
The Xpander is, quite simply, one of the most revered analog synthesizers ever built: a six-voice, keyboardless powerhouse that is essentially half a Matrix-12. Each of its six voices is...
The E-MU Proteus 2500 is a powerhouse rack sound module and command station: over a thousand ready-to-go sounds, a deep synthesis engine, real-time knobs and an onboard 16-track sequencer. From...
Korg's 1981 game-changer: real six-voice analog polyphony at roughly a third the price of a Prophet-5 or OB-X, which is exactly why it ended up under so many 80s hands....
The AKG BX20E is the king of spring reverbs: a torsional transmission-line spring system in its own substantial cabinet, giving long, lush, three-dimensional decays that sit somewhere between a plate...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
The Xtreme Lead-1 (XL-1) is E-MU's dance-music powerhouse, built on the Proteus-2000 platform and stuffed with trance leads, techno stabs, hard basses, arps and kits aimed squarely at the dancefloor....
Hand-built in England by Thermionic Culture, The Phoenix is a pure-valve stereo compressor beloved for the way it glues a mix together with warmth and weight rather than squashing it....
The legendary dbx Boom Box: an all-analog subharmonic synthesizer that doesn't just boost your bass, it manufactures it. Feed it a signal and it tracks the bass already there, synthesizes...
The Sound Technology 1500A is proper pro-audio test gear, built to measure and align tape machines back when tape was king. Wow and flutter, speed, distortion, frequency response, it does...
The StudioComm is a purpose-built monitor controller from Studio Technologies: clean, transparent level control, source and speaker switching and talkback, all in a tidy desktop console. The unglamorous-but-essential brain that...
Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...
The Ensoniq SD-1 is the workstation that perfected the VFX-SD formula: gorgeous transwave synthesis, a built-in sequencer and that unmistakable lush, slightly dreamy Ensoniq character beloved by 90s producers and...
Clavia's original Nord Drum, the little red box that builds drum sounds from pure synthesis instead of samples. Four channels of resonant, subtractive percussion, each with click, noise and tone...
Korg's Volca Keys proves you don't need a mortgage to own a real analog synth. Three genuine analog voices, a squelchy resonant filter, and a delay that smears everything into...
The Mo'Phatt is the Planet Phatt's bigger, slicker descendant, built on E-MU's Proteus-2000 platform. It is packed with modern urban, hip-hop and R&B sounds: deep sub basses, crisp kits, synths...
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