The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
The MOTU 1296 adds twelve channels of high-quality 96kHz, 24-bit analog input and output to MOTU's PCI-424 core system. Clean converters, balanced TRS throughout and rock-solid performance.A useful I/O expander...
The 160S is dbx founder David Blackmer's high-end reimagining of his own legendary 160 VCA compressor, hand-built in the boutique Blue Series. A true-stereo (or dual-mono) VCA compressor with that...
This is the holy grail of Sherman gear. The Quad Modular Filter takes the cult Filterbank, the snarling, screaming, envelope-following distortion filter that producers worship, and stacks four of them...
The ambient pedal everyone fell in love with. The Hologram Microcosm chops your signal into granular fragments and rebuilds it into shimmering loops, glacial pads, hypnotic drones and glitchy, tempo-locked...
The PEQ6 is Akai's MIDI-controllable programmable equalizer from the late 80s, designed to sit alongside the S900/S950 samplers and the rest of the Akai rack. Six bands of EQ with...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
The top of Akai's classic S3000 line: 16-bit/44.1 sampling, that unmistakable Akai filter, and a build that simply keeps running. This one is fully wired on the back, eight individual...
The CompuRhythm CR-5000 is Roland's 1981 preset-and-programmable rhythm machine, and it sits right in the family tree between the legendary CR-78 and the TR-808. That means proper vintage Roland analog...
If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...
Built at the peak of the 1970s "receiver wars", the Sansui AU-11000 was the company's no-compromise flagship integrated, and it shows. 110 watts a side, dual fully-independent channels from power...
Akai's answer to the Juno. The AX60 is a six-voice analog polysynth from 1986, built around the same Curtis CEM3394 voice chip you will find in a clutch of classic...
The Maschine MK3 is Native Instruments' flagship groove production system: 16 velocity-sensitive pads, two crisp colour screens, a big browse-and-tweak encoder and deep integration with a massive sound library. Finger-drum,...
Cheap when it launched, legendary ever since. The Roland SH-101 was the synth "for the rest of us", a 32-key monosynth in red, grey or blue that you could sling...
Behringer's CRAVE took one look at the price of a vintage mono synth and lopped off a couple of zeros. Under the hood: a proper analog 3340 oscillator, a creamy...
The bigger brother of the S-330 and Roland's flagship rack sampler of the era: more voices, more memory, more outputs, and the same lovably gritty 12-bit Roland conversion. With a...
The Roland MCR-8 is a tidy hands-on control surface: eight channel faders, assignable knobs, function buttons and full transport, all sending MIDI to your sequencer, DAW or modules. A simple,...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
The Roland SH-2 is a cult 1979 monosynth and a genuine bass monster: two fat VCOs (with sub-oscillators) feeding that creamy Roland filter, a flexible envelope and LFO, and the...
Roger Linn's LinnDrum (often miscalled the LM-2) is the sound of an entire decade: the sampled-drum machine that put real kicks, snares and hats into pop, R&B and new wave...
The Joemeek SC4 brings the cult British photo-optical compression sound to the stereo bus: smooth, vibey gain reduction that flatters mixes, drums and vocals with character rather than clinical control.The...
A compact, dependable ESI MIDI interface for wrangling a studio full of synths and modules: multiple in and out ports, USB connection and the kind of no-drama reliability that keeps...
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R 1,500.00
ex VAT
Regular priceSale price
R 1,500.00
ex VAT
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