Built at the peak of the 1970s "receiver wars", the Sansui AU-11000 was the company's no-compromise flagship integrated, and it shows. 110 watts a side, dual fully-independent channels from power...
The 160S is dbx founder David Blackmer's high-end reimagining of his own legendary 160 VCA compressor, hand-built in the boutique Blue Series. A true-stereo (or dual-mono) VCA compressor with that...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
The ART Pro VLA II is the secret-weapon comp for engineers who want LA-style optical squish without the boutique price. Two channels of opto compression with a tube gain stage,...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
The Yamaha M-80 is a serious natural-sound stereo power amplifier: plenty of clean watts, a striking black fascia with glowing level meters, and that composed, effortless Yamaha delivery. Built to...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
The Joemeek SC4 brings the cult British photo-optical compression sound to the stereo bus: smooth, vibey gain reduction that flatters mixes, drums and vocals with character rather than clinical control.The...
Ask a roomful of mix engineers about a do-anything stereo compressor and Elysia's Xpressor keeps coming up. This is a discrete Class-A stereo compressor built in Germany to mastering-grade standards,...
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
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