The MU-R201 is Sony's twin-engine answer to the pro reverb market: two independent reverb processors in one box, so you can run two spaces at once or chain them for...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
The legendary dbx Boom Box: an all-analog subharmonic synthesizer that doesn't just boost your bass, it manufactures it. Feed it a signal and it tracks the bass already there, synthesizes...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
The Watkins (WEM) Copicat is the original British tape echo: warm, characterful slapback and repeats from real moving tape, beloved since the late 50s by everyone from rockabilly guitarists to...
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
Tascam took Antares Auto-Tune, the technology that quietly rewired pop music, and bolted it onto a proper channel strip. The TA-1VP is a full vocal chain in a single rack...
The M5000 was TC's flagship Digital Audio Mainframe, a modular, software-upgradable processing platform that became a studio benchmark for reverb in the 90s and never really left. Engineers still rank...
Before everyone could afford a rack of delays, the SDE-1000 was how you got real Roland digital echo without remortgaging the studio. It has that smooth, musical Roland repeat that...
The CA-2000 sits at the top of Yamaha's revered CA integrated line, the bigger, brawnier sibling of the CA-1000 and the amp Yamaha built by feeding its B-1/C-1 separate-amp know-how...
The CA-1000 II is peak 1970s Yamaha: a Natural Sound integrated amplifier from the golden era of Japanese hi-fi, and the amp half the industry spent the next decade imitating....
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
The Yamaha CA-X1 is a gorgeous slice of late-70s silver-faced hi-fi: a natural-sound integrated amplifier with twin output-level VU meters, a satisfying heavy volume wheel, and that clean, slightly warm...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
The Boss BX-600 is a tidy little six-channel stereo mixer from Roland's Boss line: gain, pan, effect send and volume per channel, a built-in effect loop and that dependable 80s...
Sony built consumer hi-fi that obsessed over clean signal paths, then turned the same obsession loose on a studio reverb. The DPS-R7 is a tidy 1U digital reverb from the...
Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
A heavyweight from the golden era of Japanese hi-fi. The Yamaha B-4 is a Natural Sound stereo power amplifier from 1978, built as two symmetrical mono amplifiers in one 21kg...
A tidy slice of Sony hi-fi history, the MU-E151 is a graphic equalizer built to fine-tune a home system. Per-channel sliders let you carve the response to taste, and it...
The Behringer Composer Pro is the workhorse dynamics box that's lived in budget racks forever, and for good reason: two channels of compressor, peak limiter, expander and gate with the...
The Yamaha B-70 brings the muscle: a natural-sound stereo power amplifier in that handsome black-and-red 80s livery, with glowing level meters and plenty of clean current to drive serious speakers....
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
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