The Endless Analog CLASP system bridges analog tape and the modern DAW: record through a real tape machine with zero monitoring latency, capturing genuine tape compression and warmth while keeping...
Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
The Novation Supernova is the analog-modelling rack synth that put Novation on the map: three oscillators and a proper resonant filter per voice, run through seven simultaneous effects, for a...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
The Akai EWI 3020 is a proper electronic wind instrument: blow, bite and finger it like a sax or clarinet and it translates every nuance of your breath into expressive...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
The CA-2000 sits at the top of Yamaha's revered CA integrated line, the bigger, brawnier sibling of the CA-1000 and the amp Yamaha built by feeding its B-1/C-1 separate-amp know-how...
The LA-2A is the most famous compressor in the world, and for good reason. This is Universal Audio's faithful reissue of the early-60s Teletronix classic, point-to-point hand-wired in California, using...
Korg's 1981 game-changer: real six-voice analog polyphony at roughly a third the price of a Prophet-5 or OB-X, which is exactly why it ended up under so many 80s hands....
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
The CA-1000 II is peak 1970s Yamaha: a Natural Sound integrated amplifier from the golden era of Japanese hi-fi, and the amp half the industry spent the next decade imitating....
Do not let the 25 keys fool you. The Subsequent 25 packs the full-fat Moog ladder filter, three oscillators and a re-tuned multidrive circuit into Moog's most compact keyboard synth,...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
The Victor/JVC SEA-80 is one of the prettiest pieces of vintage hi-fi you can put in a rack: a 10-band-per-channel stereo graphic equalizer from 1979 with a built-in, glowing fluorescent...
The Swissonic ControlKey 88 gives you a full eighty-eight keys of MIDI control, plus assignable faders, knobs, pads and transport for hands-on command of your DAW and soft-synths. A practical,...
The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...
The Roland JSQ-60 is a slice of early-80s sequencing history: a digital keyboard recorder that captures your performances and plays them back to compatible Roland synths via DCB and MIDI....
The Oberheim Matrix-6R is the rackmount heart of one of the 1980s great analog polysynths, and this one comes paired with the Access Matrix Programmer, the dedicated hardware controller that...
The PolyBrute is Arturia's six-voice analog flagship and one of the most expressive synths of the modern era. Two Brute oscillators per voice run into dual analog filters (the steely...
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