A step sequencer that feels like an instrument. Eight tracks, 32 steps, 256 patterns, all wrapped in a gorgeous oak-and-aluminium body with a big illuminated button grid you actually want...
The Source is the most unusual Moog ever built: a 1981 monosynth controlled by a Z80 microprocessor, with no knobs or sliders at all, just a sleek flat membrane panel...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The Yamaha Q1131 is a professional 1/3-octave graphic equaliser: thirty-one bands of precise tone control for tuning rooms, taming feedback, or carving a signal exactly how you want it. Built...
The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
The Yamaha MG124C is the workhorse 12-channel analog mixer that turns up everywhere for good reason: clean Yamaha mic preamps, musical 3-band EQ, built-in compression on the mono channels and...
Clavia's original Nord Drum, the little red box that builds drum sounds from pure synthesis instead of samples. Four channels of resonant, subtractive percussion, each with click, noise and tone...
No more mystery box: this is the Yamaha B-5, a 240-watt-per-channel Natural Sound power amplifier and one of the most serious separates Yamaha built in the era. Released in 1979...
History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...
Ask a roomful of engineers to name one compressor they cannot live without and a scary number will say the Distressor. Since 1995, Dave Derr's EL8 has been the go-to...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
Knobs that move themselves. The Melbourne Instruments DELIA is a six-voice, bi-timbral hybrid polysynth built around the company's jaw-dropping motorized Rotary Recall knobs: load a patch and every control physically...
The Yamaha R1000 is one of the first affordable digital reverbs, and it has a sound all its own: a handful of reverb modes, simple knobs, and an early-digital character...
The Studio Electronics SE-1 is what happens when boutique builders take the Minimoog blueprint and crank it to eleven. A pure analog monosynth with three discrete oscillators, a fat multi-mode...
The Xpander is, quite simply, one of the most revered analog synthesizers ever built: a six-voice, keyboardless powerhouse that is essentially half a Matrix-12. Each of its six voices is...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
The Roland V-Synth XT puts the full V-Synth engine in a 2U rack: elastic audio, COSM modelling, sampling and deep real-time control, driving sounds you simply cannot get anywhere else.A...
The Sony SRA-3 is the all-valve recording amplifier that quietly became one of the most hunted secret weapons in modern psych. Built in the 1960s to ride alongside Sony's reel-to-reel...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
Clavia's Nord Drum 2 is what happens when Swedish synth wizards aim their talents at percussion. No samples, no presets pretending to be a kit, just six channels of pure...
The Fieldtone Box of Uncertainty is exactly what it sounds like: a beautiful, hand-built boutique sound box that turns audio into shimmering, fragmented, unpredictable granular textures. With controls like particle...
If one synth defines the lush, shimmering pads of the 1980s, it is the Juno-60. Six voices of digitally-controlled analog oscillators, a gorgeous 24dB resonant low-pass filter sharing the same...
In 2011, Teenage Engineering looked at the bloated, menu-diving world of digital workstations and built the exact opposite: a slab of aluminium the size of a TV remote that somehow...
The Korg Z1 is a 90s marvel: a multi-oscillator physical-modeling synth running Korg's MOSS engine, capable of breathy reeds, plucked strings, screaming leads and analog-style basses, all with deep, expressive...
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