The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
The Yamaha M-80 is a serious natural-sound stereo power amplifier: plenty of clean watts, a striking black fascia with glowing level meters, and that composed, effortless Yamaha delivery. Built to...
Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...
The Studio Electronics SE-1 is what happens when boutique builders take the Minimoog blueprint and crank it to eleven. A pure analog monosynth with three discrete oscillators, a fat multi-mode...
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
The Boss BX-600 is a tidy little six-channel stereo mixer from Roland's Boss line: gain, pan, effect send and volume per channel, a built-in effect loop and that dependable 80s...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...
The Source is the most unusual Moog ever built: a 1981 monosynth controlled by a Z80 microprocessor, with no knobs or sliders at all, just a sleek flat membrane panel...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
The PolyBrute is Arturia's six-voice analog flagship and one of the most expressive synths of the modern era. Two Brute oscillators per voice run into dual analog filters (the steely...
The original Electronic Dream Plant WASP was a cult British synth famous for its filthy, buzzing oscillators and a filter that could sting. Behringer's WASP Deluxe is a faithful, fully...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
The Behringer Ultra-Curve Pro (DSP8024) is the swiss-army processor that has lived in countless racks: a 31-band digital graphic EQ, real-time analyzer, feedback destroyer, dynamics and more, all with a...
The Roland V-Synth XT puts the full V-Synth engine in a 2U rack: elastic audio, COSM modelling, sampling and deep real-time control, driving sounds you simply cannot get anywhere else.A...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The MPC4000 is the biggest, most powerful MPC Akai ever built, and the one the heavyweights reached for. Under the hood sits the 24-bit/96kHz Z96 sampling engine borrowed from Akai's...
The Korg Z1 is a 90s marvel: a multi-oscillator physical-modeling synth running Korg's MOSS engine, capable of breathy reeds, plucked strings, screaming leads and analog-style basses, all with deep, expressive...
The Behringer Composer Pro is the workhorse dynamics box that's lived in budget racks forever, and for good reason: two channels of compressor, peak limiter, expander and gate with the...
Lexicon built their name on reverbs that cost more than your car, then put a huge slice of that magic into the MX400: a dual-stereo effects processor with proper Lexicon...
Regular price
R 3,500.00
ex VAT
Regular priceSale price
R 3,500.00
ex VAT
Unit price/ per
Choosing a selection results in a full page refresh.
