Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
The Roland MCR-8 is a tidy hands-on control surface: eight channel faders, assignable knobs, function buttons and full transport, all sending MIDI to your sequencer, DAW or modules. A simple,...
History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...
The Waldorf Blofeld packs the German company's legendary wavetable synthesis (plus virtual analog and FM) into a tiny, gorgeous desktop box. Rich pads, snarling basses, glassy bells and evolving textures...
The MU-R201 is Sony's twin-engine answer to the pro reverb market: two independent reverb processors in one box, so you can run two spaces at once or chain them for...
Clavia's original Nord Drum, the little red box that builds drum sounds from pure synthesis instead of samples. Four channels of resonant, subtractive percussion, each with click, noise and tone...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
Roland built the Integra-7 as the ultimate SuperNATURAL sound source: a rack-mount brain stacked with thousands of studio-grade acoustic, band and synth tones, drawn from Roland's flagship workstation lineage. Sixteen...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
The MPC60 is where the modern MPC story begins. Designed by Roger Linn, it married 12-bit sampling with the swing and feel that defined boom-bap and built half of hip-hop...
Roland's first stab at semi-modular synthesis, from 1975, and quietly one of the best-sounding things the company ever built. This is a three-module rig: the 101 keyboard synth at the...
The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
The Roland SH-2 is a cult 1979 monosynth and a genuine bass monster: two fat VCOs (with sub-oscillators) feeding that creamy Roland filter, a flexible envelope and LFO, and the...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The Yamaha CA-X1 is a gorgeous slice of late-70s silver-faced hi-fi: a natural-sound integrated amplifier with twin output-level VU meters, a satisfying heavy volume wheel, and that clean, slightly warm...
The Roland TR-707 is the 707: a clean, punchy digital rhythm composer with that unmistakable 80s click and snap, the classic step-sequencer grid, and a sound that built house, techno...
The RZ-1 is Casio's 1986 oddball masterpiece: a 12-bit PCM drum machine with a built-in sampler, and one of the cheapest ways into that crunchy, grainy 80s sampling sound. You...
Clavia's Nord Drum 2 is what happens when Swedish synth wizards aim their talents at percussion. No samples, no presets pretending to be a kit, just six channels of pure...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
The CompuRhythm CR-5000 is Roland's 1981 preset-and-programmable rhythm machine, and it sits right in the family tree between the legendary CR-78 and the TR-808. That means proper vintage Roland analog...
The Roland Juno-106 is the definitive affordable analog polysynth: six voices, that gorgeous DCO-plus-chorus sound, a slider for everything and full MIDI. The pads, basses and stabs on half the...
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