Clavia's original Nord Drum, the little red box that builds drum sounds from pure synthesis instead of samples. Four channels of resonant, subtractive percussion, each with click, noise and tone...
Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
The Oberheim Matrix-6R is the rackmount heart of one of the 1980s great analog polysynths, and this one comes paired with the Access Matrix Programmer, the dedicated hardware controller that...
The MPC4000 is the biggest, most powerful MPC Akai ever built, and the one the heavyweights reached for. Under the hood sits the 24-bit/96kHz Z96 sampling engine borrowed from Akai's...
Clavia's Nord Drum 2 is what happens when Swedish synth wizards aim their talents at percussion. No samples, no presets pretending to be a kit, just six channels of pure...
Korg's Volca Keys proves you don't need a mortgage to own a real analog synth. Three genuine analog voices, a squelchy resonant filter, and a delay that smears everything into...
One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
The Roland DDR-30 is a rackmount digital drum module from the mid-80s, designed to be hit: pair it with pads or triggers and it fires punchy PCM drum voices with...
The PEQ6 is Akai's MIDI-controllable programmable equalizer from the late 80s, designed to sit alongside the S900/S950 samplers and the rest of the Akai rack. Six bands of EQ with...
When Korg's ex-Sequential Circuits design team finally emerged from their lab in 1995, they brought the Prophecy: a monophonic solo synth that crammed analog modeling, FM-style VPM and physical modeling...
Before Dave Smith gave the world MIDI itself, Sequential's first drum machine landed in 1984 with a sound all its own. The DrumTraks packs thirteen crunchy 8-bit sampled voices (bass,...
A compact, dependable ESI MIDI interface for wrangling a studio full of synths and modules: multiple in and out ports, USB connection and the kind of no-drama reliability that keeps...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...
The Roland Juno-106 is the definitive affordable analog polysynth: six voices, that gorgeous DCO-plus-chorus sound, a slider for everything and full MIDI. The pads, basses and stabs on half the...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
Akai's answer to the Juno. The AX60 is a six-voice analog polysynth from 1986, built around the same Curtis CEM3394 voice chip you will find in a clutch of classic...
The bigger brother of the S-330 and Roland's flagship rack sampler of the era: more voices, more memory, more outputs, and the same lovably gritty 12-bit Roland conversion. With a...
The Roland TR-707 is the 707: a clean, punchy digital rhythm composer with that unmistakable 80s click and snap, the classic step-sequencer grid, and a sound that built house, techno...
The MPC60 is where the modern MPC story begins. Designed by Roger Linn, it married 12-bit sampling with the swing and feel that defined boom-bap and built half of hip-hop...
The Jupiter-Xm is Roland's love letter to its own history, shrunk into a portable, battery-powered box with built-in speakers. Its ZEN-Core engine runs authentic Model Bank recreations of the Jupiter-8,...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
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