The Watkins (WEM) Copicat is the original British tape echo: warm, characterful slapback and repeats from real moving tape, beloved since the late 50s by everyone from rockabilly guitarists to...

The S1100EX is Akai's expansion unit for the legendary S1100 sampler. Linked to the host over MIDI and SCSI, it adds a second full set of voices and outputs, so...

The Quad 34 is the elegant preamplifier at the heart of Quad's celebrated 1980s system. Compact, beautifully made and famously musical, it offers disc, radio and tape inputs, tilt and...

The Polivoks is the legendary Soviet duophonic analog synth, built in the USSR and beloved for its aggressive, slightly unhinged character. That famous resonant filter snarls and screams like nothing...

The legendary dbx Boom Box: an all-analog subharmonic synthesizer that doesn't just boost your bass, it manufactures it. Feed it a signal and it tracks the bass already there, synthesizes...

When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...

Tascam took Antares Auto-Tune, the technology that quietly rewired pop music, and bolted it onto a proper channel strip. The TA-1VP is a full vocal chain in a single rack...

A gorgeous slab of mid-century Japanese test equipment, the Leader LSG-11 is an RF signal generator with a big sweeping dial, chunky bakelite knobs and that unmistakable grey-hammer finish. Whether...

Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...

Yes, the name is ridiculous. Get past it, because the Little Phatty is the real deal: a 100% analog, two-oscillator monosynth built around the genuine Moog ladder filter, and the...