When Korg's ex-Sequential Circuits design team finally emerged from their lab in 1995, they brought the Prophecy: a monophonic solo synth that crammed analog modeling, FM-style VPM and physical modeling...
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When Korg's ex-Sequential Circuits design team finally emerged from their lab in 1995, they brought the Prophecy: a monophonic solo synth that crammed analog modeling, FM-style VPM and physical modeling into one expressive little keyboard. It is a lead and bass monster, screaming acid lines, rubbery basses, uncanny brass and reed models, all twisted in real time with the filter knobs, ribbon controller and arpeggiator. Six onboard effects. A cult favourite of Orbital, The Prodigy, The Orb and a generation of electronica. Compact, deep, and endlessly playable, the kind of synth people regret selling.
FEATURES & PROS:
THE WORD: Sound on Sound marvelled that the Prophecy was effectively "not a new synth, it's seven," packing analog, FM and physical modeling into one monosynth. Read more at Sound on Sound.
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