Cheap when it launched, legendary ever since. The Roland SH-101 was the synth "for the rest of us", a 32-key monosynth in red, grey or blue that you could sling...
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...
Before everyone had a thousand soft-samplers in a laptop, you had a rack, a floppy disk, and twelve glorious bits. The Akai S950 is the box that chopped the breaks...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
Behringer's CRAVE took one look at the price of a vintage mono synth and lopped off a couple of zeros. Under the hood: a proper analog 3340 oscillator, a creamy...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
Korg's Volca Keys proves you don't need a mortgage to own a real analog synth. Three genuine analog voices, a squelchy resonant filter, and a delay that smears everything into...
Clavia's Nord Drum 2 is what happens when Swedish synth wizards aim their talents at percussion. No samples, no presets pretending to be a kit, just six channels of pure...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
In 2011, Teenage Engineering looked at the bloated, menu-diving world of digital workstations and built the exact opposite: a slab of aluminium the size of a TV remote that somehow...
Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...
Tascam took Antares Auto-Tune, the technology that quietly rewired pop music, and bolted it onto a proper channel strip. The TA-1VP is a full vocal chain in a single rack...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
The Yamaha EM-90A is what happens when an organ, a rhythm box and a 70s lounge act throw a cocktail party and accidentally record the whole thing to 8-track. It...
Released when most synth makers were still scared of giving you too much power, the Arturia Origin was an ambitious, misunderstood beast. Imagine stuffing a Moog Modular, ARP 2600, Jupiter-8...
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