The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
The Warm Audio WA76 is a faithful, fully-discrete take on the legendary 1176 FET compressor, the one that has slammed drums, vocals and bass on countless hit records. Lightning-fast attack,...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
Studer built the tape machines that defined recording, then turned the same Swiss obsession to mixing. The 169 landed in 1978 as a compact broadcast desk for European radio and...
The LA-2A is the most famous compressor in the world, and for good reason. This is Universal Audio's faithful reissue of the early-60s Teletronix classic, point-to-point hand-wired in California, using...
The Planet Phatt is E-MU's love letter to hip-hop, trip-hop and old-school R&B. Built on the same respected sound engine as the Proteus range, it is loaded with fat analog-style...
The rackmount Tube Driver, and the one to have. This is the TDR-101 from the era when B.K. Butler and Chandler built them in partnership, widely held to be the...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
The Mo'Phatt is the Planet Phatt's bigger, slicker descendant, built on E-MU's Proteus-2000 platform. It is packed with modern urban, hip-hop and R&B sounds: deep sub basses, crisp kits, synths...
