A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
The StudioComm is a purpose-built monitor controller from Studio Technologies: clean, transparent level control, source and speaker switching and talkback, all in a tidy desktop console. The unglamorous-but-essential brain that...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
The TEAC/Tascam M-30 is a proper early-80s all-analog 8-channel console, the kind of warm, characterful little mixer people buy precisely to take the cold edge off digital recordings. It was...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The Yamaha CA-X1 is a gorgeous slice of late-70s silver-faced hi-fi: a natural-sound integrated amplifier with twin output-level VU meters, a satisfying heavy volume wheel, and that clean, slightly warm...
Studer built the tape machines that defined recording, then turned the same Swiss obsession to mixing. The 169 landed in 1978 as a compact broadcast desk for European radio and...
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
The CA-2000 sits at the top of Yamaha's revered CA integrated line, the bigger, brawnier sibling of the CA-1000 and the amp Yamaha built by feeding its B-1/C-1 separate-amp know-how...
Millennia's Origin is what happens when a boutique builder refuses to compromise. One 2U chassis hides two complete signal paths, one all-tube, one all-discrete solid state, switchable at the touch...
Some studio boxes are famous; the Dimension D is famous for being invisible. Roland's SDD-320 does not warble or swirl like an ordinary chorus; it uses two synced bucket-brigade delay...
The Yamaha Q1131 is a professional 1/3-octave graphic equaliser: thirty-one bands of precise tone control for tuning rooms, taming feedback, or carving a signal exactly how you want it. Built...
Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
Released in the early 1970s, the TEAC AX-300 is a 6:4 analog mixer built for the golden age of home multitrack. Conceived as the mixing companion to TEAC's legendary 4-channel...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
Tascam took Antares Auto-Tune, the technology that quietly rewired pop music, and bolted it onto a proper channel strip. The TA-1VP is a full vocal chain in a single rack...
The TEAC AN-300 is the noise reduction companion to TEAC's 1970s multitrack system, and this one comes from the same set as our TEAC AX-300 mixers. Built to tame tape...
