The CompuRhythm CR-5000 is Roland's 1981 preset-and-programmable rhythm machine, and it sits right in the family tree between the legendary CR-78 and the TR-808. That means proper vintage Roland analog...
Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...
There is no overstating this one. The TR-808 is the most influential drum machine ever made: the booming kick, the ticking hats, the cowbell, the snap, the sound of hip-hop,...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
The Behringer Composer Pro is the workhorse dynamics box that's lived in budget racks forever, and for good reason: two channels of compressor, peak limiter, expander and gate with the...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
In 1976 David Blackmer built the first solid-state VCA compressor and changed recording forever. The 160 is brutally simple, three knobs and a big switchable VU, but it does one...
The Jugg Box DPM-48 is an obscure slice of Italian rhythm history: a digital drum machine with a big blue knob, a wall of buttons and a lo-fi character all...
The LA-2A is the most famous compressor in the world, and for good reason. This is Universal Audio's faithful reissue of the early-60s Teletronix classic, point-to-point hand-wired in California, using...
Ask a roomful of engineers to name one compressor they cannot live without and a scary number will say the Distressor. Since 1995, Dave Derr's EL8 has been the go-to...
Don't let the cartoon fat man fool you: the HHB Radius 3 is a genuine valve stereo compressor with a glowing VU and a brilliantly simple program-based front end. Pick...
The Joemeek SC4 brings the cult British photo-optical compression sound to the stereo bus: smooth, vibey gain reduction that flatters mixes, drums and vocals with character rather than clinical control.The...
The ART Pro VLA II is the secret-weapon comp for engineers who want LA-style optical squish without the boutique price. Two channels of opto compression with a tube gain stage,...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
Some studio boxes are famous; the Dimension D is famous for being invisible. Roland's SDD-320 does not warble or swirl like an ordinary chorus; it uses two synced bucket-brigade delay...
Hand-built in England by Thermionic Culture, The Phoenix is a pure-valve stereo compressor beloved for the way it glues a mix together with warmth and weight rather than squashing it....
The Warm Audio WA76 is a faithful, fully-discrete take on the legendary 1176 FET compressor, the one that has slammed drums, vocals and bass on countless hit records. Lightning-fast attack,...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
The Endless Analog CLASP system bridges analog tape and the modern DAW: record through a real tape machine with zero monitoring latency, capturing genuine tape compression and warmth while keeping...
The Yamaha MG124C is the workhorse 12-channel analog mixer that turns up everywhere for good reason: clean Yamaha mic preamps, musical 3-band EQ, built-in compression on the mono channels and...
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