When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
The Oberheim Matrix-6R is the rackmount heart of one of the 1980s great analog polysynths, and this one comes paired with the Access Matrix Programmer, the dedicated hardware controller that...
The S1100 took the industry-standard S1000 and added onboard effects, SCSI, and a hard-disk option, the sampler that defined pro 16-bit sound at the turn of the 90s. This one...
Don't let the cartoon fat man fool you: the HHB Radius 3 is a genuine valve stereo compressor with a glowing VU and a brilliantly simple program-based front end. Pick...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
Behringer's CRAVE took one look at the price of a vintage mono synth and lopped off a couple of zeros. Under the hood: a proper analog 3340 oscillator, a creamy...
