The Victor/JVC SEA-80 is one of the prettiest pieces of vintage hi-fi you can put in a rack: a 10-band-per-channel stereo graphic equalizer from 1979 with a built-in, glowing fluorescent...
Victor (JVC's home-market brand) made some of the prettiest hi-fi gear of the era, and the SEA-60 is exhibit A: a stereo graphic equaliser with a mesmerising blue spectrum-analyser display...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The Marantz 2130 is one of the most beautiful tuners ever made: a quartz-locked FM/AM stereo tuner with Marantz's mesmerising oscilloscope display showing signal strength, multipath and tuning, all wrapped...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
Hand-built in California by Speck Electronics, the Model ASC is a boutique four-band parametric EQ with a cult following: clean, musical and surgical, yet never thin or harsh. This is...
Some studio boxes are famous; the Dimension D is famous for being invisible. Roland's SDD-320 does not warble or swirl like an ordinary chorus; it uses two synced bucket-brigade delay...
The Sony SRA-3 is the all-valve recording amplifier that quietly became one of the most hunted secret weapons in modern psych. Built in the 1960s to ride alongside Sony's reel-to-reel...
Orban built its name on broadcast and studio processing, and the 672A is a workhorse parametric EQ that does precise, musical tone-shaping the cheap stuff cannot touch. Each unit gives...
Ask a roomful of engineers to name one compressor they cannot live without and a scary number will say the Distressor. Since 1995, Dave Derr's EL8 has been the go-to...
The S1100 took the industry-standard S1000 and added onboard effects, SCSI, and a hard-disk option, the sampler that defined pro 16-bit sound at the turn of the 90s. This one...
The TEAC AN-300 is the noise reduction companion to TEAC's 1970s multitrack system, and this one comes from the same set as our TEAC AX-300 mixers. Built to tame tape...
When the S1000 landed in 1988, it did to the studio what the S900 had only hinted at: proper 16-bit, 44.1kHz stereo sampling that instantly became the professional benchmark. For...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
The Sound Technology 1500A is proper pro-audio test gear, built to measure and align tape machines back when tape was king. Wow and flutter, speed, distortion, frequency response, it does...
The MOTU 1296 adds twelve channels of high-quality 96kHz, 24-bit analog input and output to MOTU's PCI-424 core system. Clean converters, balanced TRS throughout and rock-solid performance.A useful I/O expander...
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