If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
Lexicon built their name on reverbs that cost more than your car, then put a huge slice of that magic into the MX400: a dual-stereo effects processor with proper Lexicon...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
The ambient pedal everyone fell in love with. The Hologram Microcosm chops your signal into granular fragments and rebuilds it into shimmering loops, glacial pads, hypnotic drones and glitchy, tempo-locked...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
The Fieldtone Box of Uncertainty is exactly what it sounds like: a beautiful, hand-built boutique sound box that turns audio into shimmering, fragmented, unpredictable granular textures. With controls like particle...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
Akai's answer to the Juno. The AX60 is a six-voice analog polysynth from 1986, built around the same Curtis CEM3394 voice chip you will find in a clutch of classic...
