Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
This is the holy grail of Sherman gear. The Quad Modular Filter takes the cult Filterbank, the snarling, screaming, envelope-following distortion filter that producers worship, and stacks four of them...
The Boss BX-600 is a tidy little six-channel stereo mixer from Roland's Boss line: gain, pan, effect send and volume per channel, a built-in effect loop and that dependable 80s...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
The 1604-VLZ Pro is the mixer that earned Mackie its reputation: sixteen channels of clean, high-headroom analog with the famous XDR mic preamps, flexible four-bus routing, musical 3-band EQ and...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The Auratone 5C is the legendary little mixcube that engineers from Motown onward used to check that a mix translates: full-range, single-driver, brutally honest. If it sounds good on an...
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