Yamaha's D1500 is the kind of dependable digital delay that quietly did the work on a thousand 80s records. Clean repeats, a genuinely useful modulation section for chorus and flange,...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
The Prime Time (Model 93) was one of the first programmable digital delay processors, and it became an instant studio staple for its lush doubling, chorusing, and that slightly grainy...
Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
Before everyone could afford a rack of delays, the SDE-1000 was how you got real Roland digital echo without remortgaging the studio. It has that smooth, musical Roland repeat that...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
The M5000 was TC's flagship Digital Audio Mainframe, a modular, software-upgradable processing platform that became a studio benchmark for reverb in the 90s and never really left. Engineers still rank...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
Some studio boxes are famous; the Dimension D is famous for being invisible. Roland's SDD-320 does not warble or swirl like an ordinary chorus; it uses two synced bucket-brigade delay...
Knobs that move themselves. The Melbourne Instruments DELIA is a six-voice, bi-timbral hybrid polysynth built around the company's jaw-dropping motorized Rotary Recall knobs: load a patch and every control physically...
If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
The ambient pedal everyone fell in love with. The Hologram Microcosm chops your signal into granular fragments and rebuilds it into shimmering loops, glacial pads, hypnotic drones and glitchy, tempo-locked...
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
Korg's Volca Keys proves you don't need a mortgage to own a real analog synth. Three genuine analog voices, a squelchy resonant filter, and a delay that smears everything into...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
When Korg's ex-Sequential Circuits design team finally emerged from their lab in 1995, they brought the Prophecy: a monophonic solo synth that crammed analog modeling, FM-style VPM and physical modeling...
