When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
The Oberheim Matrix-6R is the rackmount heart of one of the 1980s great analog polysynths, and this one comes paired with the Access Matrix Programmer, the dedicated hardware controller that...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
Don't let the cartoon fat man fool you: the HHB Radius 3 is a genuine valve stereo compressor with a glowing VU and a brilliantly simple program-based front end. Pick...
The S1100 took the industry-standard S1000 and added onboard effects, SCSI, and a hard-disk option, the sampler that defined pro 16-bit sound at the turn of the 90s. This one...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
Behringer's CRAVE took one look at the price of a vintage mono synth and lopped off a couple of zeros. Under the hood: a proper analog 3340 oscillator, a creamy...
