The Warm Audio WA76 is a faithful, fully-discrete take on the legendary 1176 FET compressor, the one that has slammed drums, vocals and bass on countless hit records. Lightning-fast attack,...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
Lexicon built their name on reverbs that cost more than your car, then put a huge slice of that magic into the MX400: a dual-stereo effects processor with proper Lexicon...
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
The Ensoniq SD-1 is the workstation that perfected the VFX-SD formula: gorgeous transwave synthesis, a built-in sequencer and that unmistakable lush, slightly dreamy Ensoniq character beloved by 90s producers and...
Akai's first sampler, and the box that put affordable 12-bit sampling on the map. The S612 is a single-rack 12-bit sampler with that unmistakable gritty, lo-fi early-Akai character, real-time start/end...
Cheap when it launched, legendary ever since. The Roland SH-101 was the synth "for the rest of us", a 32-key monosynth in red, grey or blue that you could sling...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
Roland's 12-bit rack sampler from the late 80s. The S-330 packs the same characterful converters as its keyboard siblings into a tidy 1U box, complete with that gritty, slightly lo-fi...
The Yamaha MV802 is a compact rackmount line mixer, perfect for folding extra synths, modules or effects returns into your setup without burning channels on the big desk. Simple, clean...
The PEQ6 is Akai's MIDI-controllable programmable equalizer from the late 80s, designed to sit alongside the S900/S950 samplers and the rest of the Akai rack. Six bands of EQ with...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
The legendary dbx Boom Box: an all-analog subharmonic synthesizer that doesn't just boost your bass, it manufactures it. Feed it a signal and it tracks the bass already there, synthesizes...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
The OSCar, built by the Oxford Synthesiser Company, is one of the most distinctive monosynths ever made: two oscillators with additive waveform shaping, a powerful multimode filter, an onboard sequencer...
The Xpander is, quite simply, one of the most revered analog synthesizers ever built: a six-voice, keyboardless powerhouse that is essentially half a Matrix-12. Each of its six voices is...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
Orban built its name on broadcast and studio processing, and the 672A is a workhorse parametric EQ that does precise, musical tone-shaping the cheap stuff cannot touch. Each unit gives...
The S1100EX is Akai's expansion unit for the legendary S1100 sampler. Linked to the host over MIDI and SCSI, it adds a second full set of voices and outputs, so...
Regular price
R 7,500.00
ex VAT
Regular priceSale price
R 7,500.00
ex VAT
Unit price/ per
Choosing a selection results in a full page refresh.
