Yamaha's only real assault on the late-80s sampler wars, the TX16W is a 12-bit rack sampler with a character all its own: grainy, punchy, and (whisper it) arguably more pleasant...
One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
The ART Pro VLA II is the secret-weapon comp for engineers who want LA-style optical squish without the boutique price. Two channels of opto compression with a tube gain stage,...
The Prime Time (Model 93) was one of the first programmable digital delay processors, and it became an instant studio staple for its lush doubling, chorusing, and that slightly grainy...
The Yamaha EM-90A is what happens when an organ, a rhythm box and a 70s lounge act throw a cocktail party and accidentally record the whole thing to 8-track. It...
The Hohner Pianet T is the warm, slightly reedy electric piano that gave the Zombies, the Beatles and countless soul records their signature shimmer. Lightweight, characterful and instantly recognisable, it...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
The Roland SH-2 is a cult 1979 monosynth and a genuine bass monster: two fat VCOs (with sub-oscillators) feeding that creamy Roland filter, a flexible envelope and LFO, and the...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
Cheap when it launched, legendary ever since. The Roland SH-101 was the synth "for the rest of us", a 32-key monosynth in red, grey or blue that you could sling...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
Orban built its name on broadcast and studio processing, and the 672A is a workhorse parametric EQ that does precise, musical tone-shaping the cheap stuff cannot touch. Each unit gives...
Behringer's CRAVE took one look at the price of a vintage mono synth and lopped off a couple of zeros. Under the hood: a proper analog 3340 oscillator, a creamy...
Roger Linn's LinnDrum (often miscalled the LM-2) is the sound of an entire decade: the sampled-drum machine that put real kicks, snares and hats into pop, R&B and new wave...
The Oberheim Matrix-6R is the rackmount heart of one of the 1980s great analog polysynths, and this one comes paired with the Access Matrix Programmer, the dedicated hardware controller that...
The MPC60 is where the modern MPC story begins. Designed by Roger Linn, it married 12-bit sampling with the swing and feel that defined boom-bap and built half of hip-hop...
Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
Korg's 1981 game-changer: real six-voice analog polyphony at roughly a third the price of a Prophet-5 or OB-X, which is exactly why it ended up under so many 80s hands....
If one synth defines the lush, shimmering pads of the 1980s, it is the Juno-60. Six voices of digitally-controlled analog oscillators, a gorgeous 24dB resonant low-pass filter sharing the same...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The Studio Electronics SE-1 is what happens when boutique builders take the Minimoog blueprint and crank it to eleven. A pure analog monosynth with three discrete oscillators, a fat multi-mode...
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