The Korg Z1 is a 90s marvel: a multi-oscillator physical-modeling synth running Korg's MOSS engine, capable of breathy reeds, plucked strings, screaming leads and analog-style basses, all with deep, expressive...
If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
Akai's first sampler, and the box that put affordable 12-bit sampling on the map. The S612 is a single-rack 12-bit sampler with that unmistakable gritty, lo-fi early-Akai character, real-time start/end...
The Akai EWI 3020 is a proper electronic wind instrument: blow, bite and finger it like a sax or clarinet and it translates every nuance of your breath into expressive...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
Do not let the 25 keys fool you. The Subsequent 25 packs the full-fat Moog ladder filter, three oscillators and a re-tuned multidrive circuit into Moog's most compact keyboard synth,...
The TEAC AN-300 is the noise reduction companion to TEAC's 1970s multitrack system, and this one comes from the same set as our TEAC AX-300 mixers. Built to tame tape...
The Roland DDR-30 is a rackmount digital drum module from the mid-80s, designed to be hit: pair it with pads or triggers and it fires punchy PCM drum voices with...
The OSCar, built by the Oxford Synthesiser Company, is one of the most distinctive monosynths ever made: two oscillators with additive waveform shaping, a powerful multimode filter, an onboard sequencer...
The AKG BX20E is the king of spring reverbs: a torsional transmission-line spring system in its own substantial cabinet, giving long, lush, three-dimensional decays that sit somewhere between a plate...
There is no overstating this one. The TR-808 is the most influential drum machine ever made: the booming kick, the ticking hats, the cowbell, the snap, the sound of hip-hop,...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
The Maschine MK3 is Native Instruments' flagship groove production system: 16 velocity-sensitive pads, two crisp colour screens, a big browse-and-tweak encoder and deep integration with a massive sound library. Finger-drum,...
The Komplete Kontrol keyboard puts Native Instruments' huge sound world at your fingertips: touch-sensitive knobs, light-guided key zones and tight integration with Komplete and your DAW. A compact, clever controller...
The Roland JSQ-60 is a slice of early-80s sequencing history: a digital keyboard recorder that captures your performances and plays them back to compatible Roland synths via DCB and MIDI....
When the S1000 landed in 1988, it did to the studio what the S900 had only hinted at: proper 16-bit, 44.1kHz stereo sampling that instantly became the professional benchmark. For...
The MPC4000 is the biggest, most powerful MPC Akai ever built, and the one the heavyweights reached for. Under the hood sits the 24-bit/96kHz Z96 sampling engine borrowed from Akai's...
Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
The Jugg Box DPM-48 is an obscure slice of Italian rhythm history: a digital drum machine with a big blue knob, a wall of buttons and a lo-fi character all...
This is the holy grail of Sherman gear. The Quad Modular Filter takes the cult Filterbank, the snarling, screaming, envelope-following distortion filter that producers worship, and stacks four of them...
Vintage tape at its most beautiful. The Akai M-7 is an early-to-mid 1960s tube reel-to-reel, a four-track, four-speed semi-professional deck with separate valve amplifiers for each channel, twin glowing VU...
In 2011, Teenage Engineering looked at the bloated, menu-diving world of digital workstations and built the exact opposite: a slab of aluminium the size of a TV remote that somehow...
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