The top of Akai's classic S3000 line: 16-bit/44.1 sampling, that unmistakable Akai filter, and a build that simply keeps running. This one is fully wired on the back, eight individual...
This is the holy grail of Sherman gear. The Quad Modular Filter takes the cult Filterbank, the snarling, screaming, envelope-following distortion filter that producers worship, and stacks four of them...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
The 160S is dbx founder David Blackmer's high-end reimagining of his own legendary 160 VCA compressor, hand-built in the boutique Blue Series. A true-stereo (or dual-mono) VCA compressor with that...
A step sequencer that feels like an instrument. Eight tracks, 32 steps, 256 patterns, all wrapped in a gorgeous oak-and-aluminium body with a big illuminated button grid you actually want...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The 1604-VLZ Pro is the mixer that earned Mackie its reputation: sixteen channels of clean, high-headroom analog with the famous XDR mic preamps, flexible four-bus routing, musical 3-band EQ and...
The Swissonic ControlKey 88 gives you a full eighty-eight keys of MIDI control, plus assignable faders, knobs, pads and transport for hands-on command of your DAW and soft-synths. A practical,...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
Yes, the name is ridiculous. Get past it, because the Little Phatty is the real deal: a 100% analog, two-oscillator monosynth built around the genuine Moog ladder filter, and the...
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