Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
The Yamaha R1000 is one of the first affordable digital reverbs, and it has a sound all its own: a handful of reverb modes, simple knobs, and an early-digital character...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
The Yamaha B-70 brings the muscle: a natural-sound stereo power amplifier in that handsome black-and-red 80s livery, with glowing level meters and plenty of clean current to drive serious speakers....
The Roland MCR-8 is a tidy hands-on control surface: eight channel faders, assignable knobs, function buttons and full transport, all sending MIDI to your sequencer, DAW or modules. A simple,...
The Yamaha M-80 is a serious natural-sound stereo power amplifier: plenty of clean watts, a striking black fascia with glowing level meters, and that composed, effortless Yamaha delivery. Built to...
The Yamaha Q1131 is a professional 1/3-octave graphic equaliser: thirty-one bands of precise tone control for tuning rooms, taming feedback, or carving a signal exactly how you want it. Built...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
The PolyBrute is Arturia's six-voice analog flagship and one of the most expressive synths of the modern era. Two Brute oscillators per voice run into dual analog filters (the steely...
The ART Pro VLA II is the secret-weapon comp for engineers who want LA-style optical squish without the boutique price. Two channels of opto compression with a tube gain stage,...
The original Electronic Dream Plant WASP was a cult British synth famous for its filthy, buzzing oscillators and a filter that could sting. Behringer's WASP Deluxe is a faithful, fully...
Vintage tape at its most beautiful. The Akai M-7 is an early-to-mid 1960s tube reel-to-reel, a four-track, four-speed semi-professional deck with separate valve amplifiers for each channel, twin glowing VU...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
Akai's answer to the Juno. The AX60 is a six-voice analog polysynth from 1986, built around the same Curtis CEM3394 voice chip you will find in a clutch of classic...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
The Roland V-Synth XT puts the full V-Synth engine in a 2U rack: elastic audio, COSM modelling, sampling and deep real-time control, driving sounds you simply cannot get anywhere else.A...
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
The MU-E041 is Sony's vintage parametric equalizer, giving you sweepable frequency and bandwidth control rather than fixed graphic bands. That means precise tone shaping for a hi-fi system or a...
The Warm Audio WA76 is a faithful, fully-discrete take on the legendary 1176 FET compressor, the one that has slammed drums, vocals and bass on countless hit records. Lightning-fast attack,...
Here is a slice of 1970s hi-fi ambition you rarely see: a discrete four-channel integrated amplifier from JVC's Victor line, complete with a built-in quadraphonic decoder and circuitry to handle...
No more mystery box: this is the Yamaha B-5, a 240-watt-per-channel Natural Sound power amplifier and one of the most serious separates Yamaha built in the era. Released in 1979...
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