Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
Clavia's original Nord Drum, the little red box that builds drum sounds from pure synthesis instead of samples. Four channels of resonant, subtractive percussion, each with click, noise and tone...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
The Joemeek SC4 brings the cult British photo-optical compression sound to the stereo bus: smooth, vibey gain reduction that flatters mixes, drums and vocals with character rather than clinical control.The...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
Korg's Volca Keys proves you don't need a mortgage to own a real analog synth. Three genuine analog voices, a squelchy resonant filter, and a delay that smears everything into...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
The Polivoks is the legendary Soviet duophonic analog synth, built in the USSR and beloved for its aggressive, slightly unhinged character. That famous resonant filter snarls and screams like nothing...
Akai's first sampler, and the box that put affordable 12-bit sampling on the map. The S612 is a single-rack 12-bit sampler with that unmistakable gritty, lo-fi early-Akai character, real-time start/end...
The Novation Supernova is the analog-modelling rack synth that put Novation on the map: three oscillators and a proper resonant filter per voice, run through seven simultaneous effects, for a...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
The Korg Z1 is a 90s marvel: a multi-oscillator physical-modeling synth running Korg's MOSS engine, capable of breathy reeds, plucked strings, screaming leads and analog-style basses, all with deep, expressive...
Do not let the 25 keys fool you. The Subsequent 25 packs the full-fat Moog ladder filter, three oscillators and a re-tuned multidrive circuit into Moog's most compact keyboard synth,...
Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...
A lovely standalone TEAC record/playback amplifier from the reel-to-reel golden age: the electronics half of a classic tape setup, with a big glowing VU meter, monitor switching, tape-speed EQ and...
Ask a roomful of mix engineers about a do-anything stereo compressor and Elysia's Xpressor keeps coming up. This is a discrete Class-A stereo compressor built in Germany to mastering-grade standards,...
A tidy slice of Sony hi-fi history, the MU-E151 is a graphic equalizer built to fine-tune a home system. Per-channel sliders let you carve the response to taste, and it...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
The Victor/JVC SEA-80 is one of the prettiest pieces of vintage hi-fi you can put in a rack: a 10-band-per-channel stereo graphic equalizer from 1979 with a built-in, glowing fluorescent...
When the S1000 landed in 1988, it did to the studio what the S900 had only hinted at: proper 16-bit, 44.1kHz stereo sampling that instantly became the professional benchmark. For...
Yamaha's only real assault on the late-80s sampler wars, the TX16W is a 12-bit rack sampler with a character all its own: grainy, punchy, and (whisper it) arguably more pleasant...
Before Eventide made pitch-shifting respectable and digital FX racks took over studios, MXR quietly unleashed the 129 Pitch Transposer: a gritty, unpredictable, slightly drunk box of pitch-warping chaos. It was...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
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