If you opened any 90s project studio rack, the QuadraVerb was probably already in it. Alesis built a multi-effects box that ran EQ, reverb, delay and chorus all at once,...
Yamaha's D1500 is the kind of dependable digital delay that quietly did the work on a thousand 80s records. Clean repeats, a genuinely useful modulation section for chorus and flange,...
Out of Austin, Texas came a graphic EQ that quietly became the studio standard while flashier rivals grabbed the magazine covers. The White Instruments 4400 skips the fragile faders and...
The Yamaha MV802 is a compact rackmount line mixer, perfect for folding extra synths, modules or effects returns into your setup without burning channels on the big desk. Simple, clean...
The MOTU 1296 adds twelve channels of high-quality 96kHz, 24-bit analog input and output to MOTU's PCI-424 core system. Clean converters, balanced TRS throughout and rock-solid performance.A useful I/O expander...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
The top of Akai's classic S3000 line: 16-bit/44.1 sampling, that unmistakable Akai filter, and a build that simply keeps running. This one is fully wired on the back, eight individual...
The Sound Technology 1500A is proper pro-audio test gear, built to measure and align tape machines back when tape was king. Wow and flutter, speed, distortion, frequency response, it does...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
The Behringer Ultra-Curve Pro (DSP8024) is the swiss-army processor that has lived in countless racks: a 31-band digital graphic EQ, real-time analyzer, feedback destroyer, dynamics and more, all with a...
The S1100EX is Akai's expansion unit for the legendary S1100 sampler. Linked to the host over MIDI and SCSI, it adds a second full set of voices and outputs, so...
The Auratone 5C is the legendary little mixcube that engineers from Motown onward used to check that a mix translates: full-range, single-driver, brutally honest. If it sounds good on an...
The Boss BX-600 is a tidy little six-channel stereo mixer from Roland's Boss line: gain, pan, effect send and volume per channel, a built-in effect loop and that dependable 80s...
The RZ-1 is Casio's 1986 oddball masterpiece: a 12-bit PCM drum machine with a built-in sampler, and one of the cheapest ways into that crunchy, grainy 80s sampling sound. You...
The CS6R packs the entire engine of Yamaha's CS6x performance synth into a 1U rack: lush AWM2 sample-based sounds, a full FM synthesis system, multitimbral parts, and a bank of...
The Prime Time (Model 93) was one of the first programmable digital delay processors, and it became an instant studio staple for its lush doubling, chorusing, and that slightly grainy...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
The rackmount Tube Driver, and the one to have. This is the TDR-101 from the era when B.K. Butler and Chandler built them in partnership, widely held to be the...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
The Roland Juno-106 is the definitive affordable analog polysynth: six voices, that gorgeous DCO-plus-chorus sound, a slider for everything and full MIDI. The pads, basses and stabs on half the...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
Every studio eventually has too many signals and not enough faders. The Fostex 2016 is the fix: a compact rack line mixer that quietly sums your stray synths, drum machines...
The Hohner Pianet T is the warm, slightly reedy electric piano that gave the Zombies, the Beatles and countless soul records their signature shimmer. Lightweight, characterful and instantly recognisable, it...
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