The Source is the most unusual Moog ever built: a 1981 monosynth controlled by a Z80 microprocessor, with no knobs or sliders at all, just a sleek flat membrane panel...
The legendary dbx Boom Box: an all-analog subharmonic synthesizer that doesn't just boost your bass, it manufactures it. Feed it a signal and it tracks the bass already there, synthesizes...
Here is a properly special rig. The Akai AX60 is a fat six-voice analog polysynth built around the legendary Curtis CEM 3394 chip, with sliders, a real resonant filter, an...
The Matrix-1000 is a secret weapon: the full six-voice analog engine of the Oberheim Matrix-6 squeezed into a single rack unit, with 1000 factory patches on tap. Two DCOs per...
When the S1000 landed in 1988, it did to the studio what the S900 had only hinted at: proper 16-bit, 44.1kHz stereo sampling that instantly became the professional benchmark. For...
Before everyone had a thousand soft-samplers in a laptop, you had a rack, a floppy disk, and twelve glorious bits. The Akai S950 is the box that chopped the breaks...
The original Electronic Dream Plant WASP was a cult British synth famous for its filthy, buzzing oscillators and a filter that could sting. Behringer's WASP Deluxe is a faithful, fully...
Before Dave Smith gave the world MIDI itself, Sequential's first drum machine landed in 1984 with a sound all its own. The DrumTraks packs thirteen crunchy 8-bit sampled voices (bass,...
Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...
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