The MU-E041 is Sony's vintage parametric equalizer, giving you sweepable frequency and bandwidth control rather than fixed graphic bands. That means precise tone shaping for a hi-fi system or a...
The Behringer Ultra-Curve Pro (DSP8024) is the swiss-army processor that has lived in countless racks: a 31-band digital graphic EQ, real-time analyzer, feedback destroyer, dynamics and more, all with a...
Out of Austin, Texas came a graphic EQ that quietly became the studio standard while flashier rivals grabbed the magazine covers. The White Instruments 4400 skips the fragile faders and...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
The Ensoniq SD-1 is the workstation that perfected the VFX-SD formula: gorgeous transwave synthesis, a built-in sequencer and that unmistakable lush, slightly dreamy Ensoniq character beloved by 90s producers and...
Some studio boxes are famous; the Dimension D is famous for being invisible. Roland's SDD-320 does not warble or swirl like an ordinary chorus; it uses two synced bucket-brigade delay...
The StudioComm is a purpose-built monitor controller from Studio Technologies: clean, transparent level control, source and speaker switching and talkback, all in a tidy desktop console. The unglamorous-but-essential brain that...
The ambient pedal everyone fell in love with. The Hologram Microcosm chops your signal into granular fragments and rebuilds it into shimmering loops, glacial pads, hypnotic drones and glitchy, tempo-locked...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
The PEQ6 is Akai's MIDI-controllable programmable equalizer from the late 80s, designed to sit alongside the S900/S950 samplers and the rest of the Akai rack. Six bands of EQ with...
The top of Akai's classic S3000 line: 16-bit/44.1 sampling, that unmistakable Akai filter, and a build that simply keeps running. This one is fully wired on the back, eight individual...
The Roland DDR-30 is a rackmount digital drum module from the mid-80s, designed to be hit: pair it with pads or triggers and it fires punchy PCM drum voices with...
The Maschine MK3 is Native Instruments' flagship groove production system: 16 velocity-sensitive pads, two crisp colour screens, a big browse-and-tweak encoder and deep integration with a massive sound library. Finger-drum,...
If you could own one stereo bus compressor for the rest of your life, a frightening number of top engineers would name the Neve 33609. Derived from the legendary 2254...
Victor (JVC's home-market brand) made some of the prettiest hi-fi gear of the era, and the SEA-60 is exhibit A: a stereo graphic equaliser with a mesmerising blue spectrum-analyser display...
Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
The Watkins (WEM) Copicat is the original British tape echo: warm, characterful slapback and repeats from real moving tape, beloved since the late 50s by everyone from rockabilly guitarists to...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
When you need to track a whole band at once without remortgaging, the Tascam US-1641 is the quiet hero: sixteen inputs in, four out, eight mic preamps with phantom, all...
A compact, dependable ESI MIDI interface for wrangling a studio full of synths and modules: multiple in and out ports, USB connection and the kind of no-drama reliability that keeps...
The Komplete Kontrol keyboard puts Native Instruments' huge sound world at your fingertips: touch-sensitive knobs, light-guided key zones and tight integration with Komplete and your DAW. A compact, clever controller...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...
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