In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...
The Yamaha MG124C is the workhorse 12-channel analog mixer that turns up everywhere for good reason: clean Yamaha mic preamps, musical 3-band EQ, built-in compression on the mono channels and...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
The S1100 took the industry-standard S1000 and added onboard effects, SCSI, and a hard-disk option, the sampler that defined pro 16-bit sound at the turn of the 90s. This one...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
Every studio eventually has too many signals and not enough faders. The Fostex 2016 is the fix: a compact rack line mixer that quietly sums your stray synths, drum machines...
The E-MU Proteus 2500 is a powerhouse rack sound module and command station: over a thousand ready-to-go sounds, a deep synthesis engine, real-time knobs and an onboard 16-track sequencer. From...
The LA-2A is the most famous compressor in the world, and for good reason. This is Universal Audio's faithful reissue of the early-60s Teletronix classic, point-to-point hand-wired in California, using...
The Yamaha MV802 is a compact rackmount line mixer, perfect for folding extra synths, modules or effects returns into your setup without burning channels on the big desk. Simple, clean...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
When a studio needed a workhorse that sounded like a Studer but didn't cost like one, it bought a Revox PR-99. Built in Switzerland on the bones of the legendary...
Vintage tape at its most beautiful. The Akai M-7 is an early-to-mid 1960s tube reel-to-reel, a four-track, four-speed semi-professional deck with separate valve amplifiers for each channel, twin glowing VU...
The S1100EX is Akai's expansion unit for the legendary S1100 sampler. Linked to the host over MIDI and SCSI, it adds a second full set of voices and outputs, so...
Before everyone could afford a rack of delays, the SDE-1000 was how you got real Roland digital echo without remortgaging the studio. It has that smooth, musical Roland repeat that...
A lovely standalone TEAC record/playback amplifier from the reel-to-reel golden age: the electronics half of a classic tape setup, with a big glowing VU meter, monitor switching, tape-speed EQ and...
Yamaha's only real assault on the late-80s sampler wars, the TX16W is a 12-bit rack sampler with a character all its own: grainy, punchy, and (whisper it) arguably more pleasant...
Roland's 12-bit rack sampler from the late 80s. The S-330 packs the same characterful converters as its keyboard siblings into a tidy 1U box, complete with that gritty, slightly lo-fi...
The S3000XL's clever sibling: the same beloved 16-bit Akai sampling engine with a CD-ROM drive built into the front, so you drop in a sample disc and load straight off...
The Yamaha Q1131 is a professional 1/3-octave graphic equaliser: thirty-one bands of precise tone control for tuning rooms, taming feedback, or carving a signal exactly how you want it. Built...
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