The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The Mo'Phatt is the Planet Phatt's bigger, slicker descendant, built on E-MU's Proteus-2000 platform. It is packed with modern urban, hip-hop and R&B sounds: deep sub basses, crisp kits, synths...
The Planet Phatt is E-MU's love letter to hip-hop, trip-hop and old-school R&B. Built on the same respected sound engine as the Proteus range, it is loaded with fat analog-style...
Clavia's Nord Drum 2 is what happens when Swedish synth wizards aim their talents at percussion. No samples, no presets pretending to be a kit, just six channels of pure...
The E-MU Proteus 2500 is a powerhouse rack sound module and command station: over a thousand ready-to-go sounds, a deep synthesis engine, real-time knobs and an onboard 16-track sequencer. From...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
The Akai EWI 3020 is a proper electronic wind instrument: blow, bite and finger it like a sax or clarinet and it translates every nuance of your breath into expressive...
Roland built the Integra-7 as the ultimate SuperNATURAL sound source: a rack-mount brain stacked with thousands of studio-grade acoustic, band and synth tones, drawn from Roland's flagship workstation lineage. Sixteen...
Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
Before everyone could afford a rack of delays, the SDE-1000 was how you got real Roland digital echo without remortgaging the studio. It has that smooth, musical Roland repeat that...
The bigger brother of the S-330 and Roland's flagship rack sampler of the era: more voices, more memory, more outputs, and the same lovably gritty 12-bit Roland conversion. With a...
The Yamaha EM-90A is what happens when an organ, a rhythm box and a 70s lounge act throw a cocktail party and accidentally record the whole thing to 8-track. It...
The rackmount Tube Driver, and the one to have. This is the TDR-101 from the era when B.K. Butler and Chandler built them in partnership, widely held to be the...
Akai's first sampler, and the box that put affordable 12-bit sampling on the map. The S612 is a single-rack 12-bit sampler with that unmistakable gritty, lo-fi early-Akai character, real-time start/end...
The CompuRhythm CR-5000 is Roland's 1981 preset-and-programmable rhythm machine, and it sits right in the family tree between the legendary CR-78 and the TR-808. That means proper vintage Roland analog...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
The Xtreme Lead-1 (XL-1) is E-MU's dance-music powerhouse, built on the Proteus-2000 platform and stuffed with trance leads, techno stabs, hard basses, arps and kits aimed squarely at the dancefloor....
Yamaha's only real assault on the late-80s sampler wars, the TX16W is a 12-bit rack sampler with a character all its own: grainy, punchy, and (whisper it) arguably more pleasant...
Every studio eventually has too many signals and not enough faders. The Fostex 2016 is the fix: a compact rack line mixer that quietly sums your stray synths, drum machines...
The Alesis MultiMix 12R folds a full twelve-channel mixer into a rack: mic preamps, EQ, aux sends and a metered master section, all standing upright to save your desk space....
The Yamaha MV802 is a compact rackmount line mixer, perfect for folding extra synths, modules or effects returns into your setup without burning channels on the big desk. Simple, clean...
Maxon spent the 1980s quietly building the circuits inside the Ibanez pedals everyone worships, then bolted their own name onto this 1U rack delay. The DMD2000 is the result: a...
Before Dave Smith gave the world MIDI itself, Sequential's first drum machine landed in 1984 with a sound all its own. The DrumTraks packs thirteen crunchy 8-bit sampled voices (bass,...
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