If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
Victor (JVC's home-market brand) made some of the prettiest hi-fi gear of the era, and the SEA-60 is exhibit A: a stereo graphic equaliser with a mesmerising blue spectrum-analyser display...
Here is a slice of 1970s hi-fi ambition you rarely see: a discrete four-channel integrated amplifier from JVC's Victor line, complete with a built-in quadraphonic decoder and circuitry to handle...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
The Victor/JVC SEA-80 is one of the prettiest pieces of vintage hi-fi you can put in a rack: a 10-band-per-channel stereo graphic equalizer from 1979 with a built-in, glowing fluorescent...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
Don't let the modest price fool you, the 18Xs MkII is a seriously good single-channel front end. A transformer-coupled, Class-A microphone preamp with up to 65dB of gain, a high-impedance...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
Everyone knows Sansui for the silver-faced receivers. Almost nobody knows they spent the early sixties building tube gear, and the MX-10 is the good one: a six-input valve mixing preamp...
Ask a roomful of engineers to name one compressor they cannot live without and a scary number will say the Distressor. Since 1995, Dave Derr's EL8 has been the go-to...
The Focusrite Liquid Channel is what happens when a British console legend decides to bottle every classic preamp and compressor ever made and pour them into one 2U box. Using...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
Released in the early 1970s, the TEAC AX-300 is a 6:4 analog mixer built for the golden age of home multitrack. Conceived as the mixing companion to TEAC's legendary 4-channel...
The Yamaha M-80 is a serious natural-sound stereo power amplifier: plenty of clean watts, a striking black fascia with glowing level meters, and that composed, effortless Yamaha delivery. Built to...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
The Watkins (WEM) Copicat is the original British tape echo: warm, characterful slapback and repeats from real moving tape, beloved since the late 50s by everyone from rockabilly guitarists to...
A heavyweight from the golden era of Japanese hi-fi. The Yamaha B-4 is a Natural Sound stereo power amplifier from 1978, built as two symmetrical mono amplifiers in one 21kg...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
No more mystery box: this is the Yamaha B-5, a 240-watt-per-channel Natural Sound power amplifier and one of the most serious separates Yamaha built in the era. Released in 1979...
Roland's 12-bit rack sampler from the late 80s. The S-330 packs the same characterful converters as its keyboard siblings into a tidy 1U box, complete with that gritty, slightly lo-fi...
In 1976 David Blackmer built the first solid-state VCA compressor and changed recording forever. The 160 is brutally simple, three knobs and a big switchable VU, but it does one...
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