Yamaha's clever 1979 take on the preset mono. One section gives you 29 instant presets for grab-and-go sounds, the other is a fully tweakable manual synth with a single VCO,...
The Xpander is, quite simply, one of the most revered analog synthesizers ever built: a six-voice, keyboardless powerhouse that is essentially half a Matrix-12. Each of its six voices is...
In 1972, the ARP Odyssey was the duophonic answer to the Minimoog: punkier, weirder, and bristling with sliders where Moog had knobs. Decades later, Korg teamed up with original designer...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
The Novation Supernova is the analog-modelling rack synth that put Novation on the map: three oscillators and a proper resonant filter per voice, run through seven simultaneous effects, for a...
The Source is the most unusual Moog ever built: a 1981 monosynth controlled by a Z80 microprocessor, with no knobs or sliders at all, just a sleek flat membrane panel...
History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...
The Jupiter-Xm is Roland's love letter to its own history, shrunk into a portable, battery-powered box with built-in speakers. Its ZEN-Core engine runs authentic Model Bank recreations of the Jupiter-8,...
The Mutronics Mutator is the rare and revered rackmount analog filter: two channels of fat, resonant filtering with envelope followers, LFOs and ring modulation, from subtle movement to full-on mangling.Used...
FATSO stands for Full Analog Tape Simulator and Optimizer, which is a lot of acronym for a box whose actual job is making digital recordings sound like they went through...
The 1604-VLZ Pro is the mixer that earned Mackie its reputation: sixteen channels of clean, high-headroom analog with the famous XDR mic preamps, flexible four-bus routing, musical 3-band EQ and...
The Yamaha MG124C is the workhorse 12-channel analog mixer that turns up everywhere for good reason: clean Yamaha mic preamps, musical 3-band EQ, built-in compression on the mono channels and...
The Prophet 12 was Dave Smith's triumphant 2013 return to the Prophet line, and the first to break from pure analog. Twelve voices of hybrid synthesis: four digital oscillators per...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
Ask a roomful of engineers to name one compressor they cannot live without and a scary number will say the Distressor. Since 1995, Dave Derr's EL8 has been the go-to...
The Sound Technology 1500A is proper pro-audio test gear, built to measure and align tape machines back when tape was king. Wow and flutter, speed, distortion, frequency response, it does...
Do not let the 25 keys fool you. The Subsequent 25 packs the full-fat Moog ladder filter, three oscillators and a re-tuned multidrive circuit into Moog's most compact keyboard synth,...
The CompuRhythm CR-5000 is Roland's 1981 preset-and-programmable rhythm machine, and it sits right in the family tree between the legendary CR-78 and the TR-808. That means proper vintage Roland analog...
Released when most synth makers were still scared of giving you too much power, the Arturia Origin was an ambitious, misunderstood beast. Imagine stuffing a Moog Modular, ARP 2600, Jupiter-8...
The Akai EWI 3020 is a proper electronic wind instrument: blow, bite and finger it like a sax or clarinet and it translates every nuance of your breath into expressive...
There is no overstating this one. The TR-808 is the most influential drum machine ever made: the booming kick, the ticking hats, the cowbell, the snap, the sound of hip-hop,...
The TEAC AN-300 is the noise reduction companion to TEAC's 1970s multitrack system, and this one comes from the same set as our TEAC AX-300 mixers. Built to tame tape...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
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