The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...

When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...

The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...

Waldorf built the Q for people who wanted German engineering with an attitude problem. This is a virtual-analog synth that hits like a hardware monster: fat, precise oscillators, that famously...

Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...

One of the very few synthesizers ever built on true additive synthesis, and Kawai's top-of-the-line workstation when it landed in 1996. Instead of starting from samples, the K5000W builds every...

When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...

When Korg's ex-Sequential Circuits design team finally emerged from their lab in 1995, they brought the Prophecy: a monophonic solo synth that crammed analog modeling, FM-style VPM and physical modeling...

The EPS 16 Plus is Ensoniq's 1990 sampling workstation and a low-key legend of golden-era hip-hop. It samples at 16-bit with that warm, slightly gritty Ensoniq character, and its killer...

The Novation Supernova is the analog-modelling rack synth that put Novation on the map: three oscillators and a proper resonant filter per voice, run through seven simultaneous effects, for a...

Released in the early 1970s, the TEAC AX-300 is a 6:4 analog mixer built for the golden age of home multitrack. Conceived as the mixing companion to TEAC's legendary 4-channel...