The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...

The Quad FM4 completes the classic 80s Quad stack: a refined FM tuner with that smooth Quad sound and the matching grey-and-orange styling. Hook it up to a Quad 34...

The Alesis MultiMix 12R folds a full twelve-channel mixer into a rack: mic preamps, EQ, aux sends and a metered master section, all standing upright to save your desk space....

Long before the 808 shook subwoofers, the CR-78 was keeping time in a handsome wood-veneer box built to back a home-organ player. Then everyone else got hold of it. That's...

When you need to track a whole band at once without remortgaging, the Tascam US-1641 is the quiet hero: sixteen inputs in, four out, eight mic preamps with phantom, all...

Vintage tape at its most beautiful. The Akai M-7 is an early-to-mid 1960s tube reel-to-reel, a four-track, four-speed semi-professional deck with separate valve amplifiers for each channel, twin glowing VU...

Pro monitoring control for your desktop, and a project-studio staple. The PreSonus Monitor Station V2 lets you switch instantly between up to four stereo sources and three sets of monitor...

The rackmount Tube Driver, and the one to have. This is the TDR-101 from the era when B.K. Butler and Chandler built them in partnership, widely held to be the...

Roger Linn's LinnDrum (often miscalled the LM-2) is the sound of an entire decade: the sampled-drum machine that put real kicks, snares and hats into pop, R&B and new wave...

In the early 1980s Oberheim took aim at the Linn LM-1 and built a drum machine that quietly ended up on more classic records than almost anything else of its...

Steinberg and Yamaha's UR28M is a do-it-all desktop audio interface that quietly punches above its weight: pristine D-PRE mic preamps, rock-solid drivers, and, crucially, a proper hardware monitor controller with...