The Roland MCR-8 is a tidy hands-on control surface: eight channel faders, assignable knobs, function buttons and full transport, all sending MIDI to your sequencer, DAW or modules. A simple,...

Knobs that move themselves. The Melbourne Instruments DELIA is a six-voice, bi-timbral hybrid polysynth built around the company's jaw-dropping motorized Rotary Recall knobs: load a patch and every control physically...

The Sherman Filterbank is the cult Belgian effect that producers reach for when they want something to sound dangerous. Run drums, synths, vocals, anything through its screaming, self-oscillating multimode filters...

The Polivoks is the legendary Soviet duophonic analog synth, built in the USSR and beloved for its aggressive, slightly unhinged character. That famous resonant filter snarls and screams like nothing...

History lives in this one. In early 1983 the Prophet-600 became the first synthesizer on earth to ship with MIDI, the protocol Dave Smith gave the world for free, and...

When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...

Every studio eventually has too many signals and not enough faders. The Fostex 2016 is the fix: a compact rack line mixer that quietly sums your stray synths, drum machines...