The Sony SRA-3 is the all-valve recording amplifier that quietly became one of the most hunted secret weapons in modern psych. Built in the 1960s to ride alongside Sony's reel-to-reel...
The Maxon AD-150 is a rackmount bucket-brigade analog delay from the company behind Ibanez's classic effects. Warm, dark repeats, gentle modulation and that organic BBD smear digital cannot fake.A lovely,...
In 1974 Sony looked at the Nagra, the Swiss reporter's recorder that cost as much as a small car, and built its own for half the money. The TC-510-2 is...
The Prime Time (Model 93) was one of the first programmable digital delay processors, and it became an instant studio staple for its lush doubling, chorusing, and that slightly grainy...
The Universal Audio Apollo Twin is the desktop interface that put genuine UAD plug-in processing on every studio desk: gorgeous Unison preamps, pristine AD/DA conversion and the ability to track...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The CA-2000 sits at the top of Yamaha's revered CA integrated line, the bigger, brawnier sibling of the CA-1000 and the amp Yamaha built by feeding its B-1/C-1 separate-amp know-how...
The CA-1000 II is peak 1970s Yamaha: a Natural Sound integrated amplifier from the golden era of Japanese hi-fi, and the amp half the industry spent the next decade imitating....
Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
Before everyone had a thousand soft-samplers in a laptop, you had a rack, a floppy disk, and twelve glorious bits. The Akai S950 is the box that chopped the breaks...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
The M5000 was TC's flagship Digital Audio Mainframe, a modular, software-upgradable processing platform that became a studio benchmark for reverb in the 90s and never really left. Engineers still rank...
The 1604-VLZ Pro is the mixer that earned Mackie its reputation: sixteen channels of clean, high-headroom analog with the famous XDR mic preamps, flexible four-bus routing, musical 3-band EQ and...
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
Don't let the modest price fool you, the 18Xs MkII is a seriously good single-channel front end. A transformer-coupled, Class-A microphone preamp with up to 65dB of gain, a high-impedance...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
The 1176 is the other most-famous compressor in the world (the FET one), and this is Universal Audio's hand-built reissue of the blackface 1176LN, true to Bill Putnam's D/E-rev design....
The Endless Analog CLASP system bridges analog tape and the modern DAW: record through a real tape machine with zero monitoring latency, capturing genuine tape compression and warmth while keeping...
If a record sounds good on NS-10s, it sounds good everywhere, which is why these white-coned Yamahas ended up on the meter bridge of nearly every serious studio on earth....
The Victor/JVC SEA-80 is one of the prettiest pieces of vintage hi-fi you can put in a rack: a 10-band-per-channel stereo graphic equalizer from 1979 with a built-in, glowing fluorescent...
The Sony VT-M5 is the kind of gadget you would expect in a Cold War surveillance van or on the set of 2001: A Space Odyssey. Billed as an Audioscope...
The TEAC/Tascam M-30 is a proper early-80s all-analog 8-channel console, the kind of warm, characterful little mixer people buy precisely to take the cold edge off digital recordings. It was...
Tune your system by eye and ear. The Yamaha EQ-630 is a Natural Sound stereo graphic equalizer from 1989, and a properly sophisticated one: ten bands per channel with fully...
The LA-2A is the most famous compressor in the world, and for good reason. This is Universal Audio's faithful reissue of the early-60s Teletronix classic, point-to-point hand-wired in California, using...
Regular price
R 62,250.00
ex VAT
Regular priceSale price
R 62,250.00
ex VAT
Unit price/ per
Choosing a selection results in a full page refresh.
