A heavyweight from the golden era of Japanese hi-fi. The Yamaha B-4 is a Natural Sound stereo power amplifier from 1978, built as two symmetrical mono amplifiers in one 21kg...
No more mystery box: this is the Yamaha B-5, a 240-watt-per-channel Natural Sound power amplifier and one of the most serious separates Yamaha built in the era. Released in 1979...
Otari built the MX-5050 for radio stations and studios that needed a tape machine to just work, every day, for decades, and that is exactly what it did. Balanced XLR...
Yamaha's clever 1979 take on the preset mono. One section gives you 29 instant presets for grab-and-go sounds, the other is a fully tweakable manual synth with a single VCO,...
Studer built the tape machines that defined recording, then turned the same Swiss obsession to mixing. The 169 landed in 1978 as a compact broadcast desk for European radio and...
The Moog Prodigy is the scrappy kid who wore only black and could outplay anyone in a riff battle. Released in 1979 as Moog's answer to rising competition, it was...
In 1976 David Blackmer built the first solid-state VCA compressor and changed recording forever. The 160 is brutally simple, three knobs and a big switchable VU, but it does one...
The VP-70 is one of those rare boxes that does something genuinely odd: it takes a voice in, tracks its pitch, and lets you process, harmonise and re-pitch it like...
The Quad 303 is a slice of British hi-fi history: a beautifully engineered power amplifier from the late 1960s and 70s, famous for its smooth, musical sound and near-bulletproof reliability....
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