The 1604-VLZ Pro is the mixer that earned Mackie its reputation: sixteen channels of clean, high-headroom analog with the famous XDR mic preamps, flexible four-bus routing, musical 3-band EQ and...
The Yamaha MG124C is the workhorse 12-channel analog mixer that turns up everywhere for good reason: clean Yamaha mic preamps, musical 3-band EQ, built-in compression on the mono channels and...
When your MIDI rig sprouts more modules than your desk can handle, the Roland M-240R steps in: twenty-four channels of line mixing in a rack, with the clean, quiet Roland...
Studer built the tape machines that defined recording, then turned the same Swiss obsession to mixing. The 169 landed in 1978 as a compact broadcast desk for European radio and...
The Boss BX-600 is a tidy little six-channel stereo mixer from Roland's Boss line: gain, pan, effect send and volume per channel, a built-in effect loop and that dependable 80s...
The Yamaha MV802 is a compact rackmount line mixer, perfect for folding extra synths, modules or effects returns into your setup without burning channels on the big desk. Simple, clean...
Released in the early 1970s, the TEAC AX-300 is a 6:4 analog mixer built for the golden age of home multitrack. Conceived as the mixing companion to TEAC's legendary 4-channel...
The TEAC/Tascam M-30 is a proper early-80s all-analog 8-channel console, the kind of warm, characterful little mixer people buy precisely to take the cold edge off digital recordings. It was...
The Alesis MultiMix 12R folds a full twelve-channel mixer into a rack: mic preamps, EQ, aux sends and a metered master section, all standing upright to save your desk space....
The TEAC Model 3 is the compact analog console from Tascam's golden era, back when home studios were beige, knobs were plentiful, and everything sounded a little warmer than it...
When the synth collection outgrows the desk, the MM-200 is the answer: sixteen channels of line mixing with EQ, effect sends and stereo returns, all in a tidy rack. Built...
A genuinely rare piece of British studio history. The Chilton M10/2 Mk6 was the final and most refined version of Chilton's celebrated Quiet Mixer series, a 10-input, 2-output portable console...
Every studio eventually has too many signals and not enough faders. The Fostex 2016 is the fix: a compact rack line mixer that quietly sums your stray synths, drum machines...
A clever and increasingly collectable bit of 80s Akai kit: the MB76 is a MIDI-programmable patch bay and mixer with 7 inputs and 6 outputs, letting you route any input...
Everyone knows Sansui for the silver-faced receivers. Almost nobody knows they spent the early sixties building tube gear, and the MX-10 is the good one: a six-input valve mixing preamp...
The Yamaha EM-90A is what happens when an organ, a rhythm box and a 70s lounge act throw a cocktail party and accidentally record the whole thing to 8-track. It...
The Monster 2 is exactly what it sounds like: a boutique Polish dual-channel beast that bolts a fast FET compressor to a NOS-tube saturation stage and a parallel mix knob,...
Roland's first stab at semi-modular synthesis, from 1975, and quietly one of the best-sounding things the company ever built. This is a three-module rig: the 101 keyboard synth at the...
A complete hardware mixing desk for your DAW, in two pieces. The Softube Console 1 brings the legendary Solid State Logic 4000 E channel strip to your fingertips: four-band EQ,...
The Auratone 5C is the legendary little mixcube that engineers from Motown onward used to check that a mix translates: full-range, single-driver, brutally honest. If it sounds good on an...
Roger Linn's LinnDrum (often miscalled the LM-2) is the sound of an entire decade: the sampled-drum machine that put real kicks, snares and hats into pop, R&B and new wave...
The TEAC AN-300 is the noise reduction companion to TEAC's 1970s multitrack system, and this one comes from the same set as our TEAC AX-300 mixers. Built to tame tape...
