The Yamaha R1000 is one of the first affordable digital reverbs, and it has a sound all its own: a handful of reverb modes, simple knobs, and an early-digital character...
Before the SPX90 ruled the world, Yamaha's REV7 was the studio's go-to digital reverb: the rackmount sibling of the legendary SPX, with lush, glassy halls and plates that defined the...
Sony built consumer hi-fi that obsessed over clean signal paths, then turned the same obsession loose on a studio reverb. The DPS-R7 is a tidy 1U digital reverb from the...
The MU-R201 is Sony's twin-engine answer to the pro reverb market: two independent reverb processors in one box, so you can run two spaces at once or chain them for...
Roland's SRV-2000 is a 1U slice of mid-80s digital reverb that has aged into a proper character box. It pairs early digital reverb algorithms with a built-in 3-band parametric EQ,...
Roland only sold the RDE-1800 in Japan, which is the main reason so few of these ever left the country. It pairs a digital delay with a real spring reverb...
The M5000 was TC's flagship Digital Audio Mainframe, a modular, software-upgradable processing platform that became a studio benchmark for reverb in the 90s and never really left. Engineers still rank...
Before digital reverb took over, the MICMIX Master Room was the spring reverb serious studios reached for: a big, lush, three-dimensional spring sound far richer than the tanks built into...
The DRV-3000 is Korg's dual digital effects processor from the back end of the 80s, and it carries that slightly gritty, characterful early-digital voice that producers now chase on purpose....
Lexicon built their name on reverbs that cost more than your car, then put a huge slice of that magic into the MX400: a dual-stereo effects processor with proper Lexicon...
Incredible condition and with remove control- one of the true holy grails of vintage digital. The Publison Infernal Machine 90 is an exceptionally rare French multi-effects processor and sampler from...
Before every laptop shipped with a reverb plugin that sounded fine, Lexicon was building the boxes that defined what expensive sounded like. The LXP-15 is the half-rack sibling that snuck...
The QuadraVerb Plus runs four effects at once, reverb, delay, pitch and EQ, in glorious 20kHz bandwidth, the upgraded version of the multi-effects box that lived in every 90s rack....
The AKG BX20E is the king of spring reverbs: a torsional transmission-line spring system in its own substantial cabinet, giving long, lush, three-dimensional decays that sit somewhere between a plate...
The S1100 took the industry-standard S1000 and added onboard effects, SCSI, and a hard-disk option, the sampler that defined pro 16-bit sound at the turn of the 90s. This one...
The Ensoniq DP/4+ is really four effects processors in a single rack, units A, B, C and D, each a complete 24-bit stereo multi-FX in its own right, with four...
The Roland RE-501 Chorus Echo is the final, fullest evolution of the Space Echo line, and if you only ever own one tape echo, the faithful agree this is the...
Knobs that move themselves. The Melbourne Instruments DELIA is a six-voice, bi-timbral hybrid polysynth built around the company's jaw-dropping motorized Rotary Recall knobs: load a patch and every control physically...
Released when most synth makers were still scared of giving you too much power, the Arturia Origin was an ambitious, misunderstood beast. Imagine stuffing a Moog Modular, ARP 2600, Jupiter-8...
When Access dropped the Virus C in 2002, it didn't so much join the synth world as colonise it. This is the desktop module that turned up on countless trance...
The Roland GAIA SH-01 is the synth that refuses to hide anything from you. Every function gets its own knob or button, three full virtual-analog tone engines stack into one...
